As Bad Things reaches its riveting finale, the culmination of a captivating cinematic odyssey, an astonishing truth is brought to light.
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Bad Things
In “Bad Things,” a gripping horror film directed by Stewart Thorndike in 2023, a seemingly innocent weekend retreat for a group of close girlfriends takes a chilling and sinister turn as they find themselves trapped in a snow-covered hotel. What was intended to be a relaxing getaway quickly transforms into a nightmarish descent into psychological turmoil and gory terror.
As the isolation of the remote location begins to play tricks on their minds, the friends are pushed to the brink of sanity. Unexplainable occurrences and eerie phenomena chip away at their grasp on reality, sowing seeds of paranoia and distrust among them. The once-strong bonds of friendship unravel amidst the mounting fear, and the hotel’s corridors turn into a labyrinth of horror.
As tensions escalate, the line between illusion and reality blurs, leading to shocking revelations and a blood-soaked ordeal that none of them could have ever anticipated. “Bad Things” explores the fragility of the human psyche in the face of relentless horror, inviting audiences to witness the harrowing journey of these women as they grapple with their own demons while confronting the malevolent forces that threaten to drive them to the brink of madness.
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‘Bad Things’ Ending Explained
It is during the climactic final moments of the movie that a startling revelation comes to light: Ms. Auerbach’s true fate is unveiled, as the audience comes to realize that her lifeless body has been concealed within her hotel suite throughout the narrative. The implication looms large – Ruthie, driven by a vengeful and resentful motive, is implicated in her demise.
As the layers of the story unravel, it becomes apparent that Ruthie’s actions have been meticulously calculated. To further complicate matters, it’s disclosed that Ruthie has been in possession of her mother’s phone, ingeniously using it to send messages to herself.
This cunning deception not only amplifies the intrigue but also underscores the depth of Ruthie’s dark intentions. The intricate weaving of these details in the film’s conclusion showcases the director’s finesse in crafting a suspenseful and unexpected resolution, leaving the audience stunned and captivated by the intricate web of emotions and motivations that define the characters’ actions.
‘Bad Things’ Cast
Actor | Character |
|---|---|
| Gayle Rankin | Ruthie Nodd |
| Hari Nef | Cal |
| Annabelle Dexter-Jones | Fran |
| Rad Pereira | Maddie |
| Jared Abrahamson | Brian |
| Molly Ringwald | Ms. Auerbach |
| Ariella Josephine | Young Ruthie |
| Austin Jones | Ed Halleck |
| Patrick Klein | Jess Gomez |
| Dana Slosar | Model Joggers |
| Holland Smith | Model Joggers |
Bad Things Plot
In this intriguing narrative, a circle of friends embarks on a weekend escape to a quaint hotel, seeking respite and relaxation. As their getaway unfolds, they stumble upon an unsettling revelation that casts an eerie shadow over their idyllic surroundings.
The essence of their discovery lies in the realization that within the confines of this seemingly tranquil retreat, a series of enigmatic and sinister deeds are orchestrated by women.
The narrative takes an unexpected turn as the friends grapple with the implications of this revelation, questioning their perceptions and bonds. The juxtaposition of the serene hotel backdrop with the unsettling actions of the women creates a palpable tension, immersing both the characters and the audience in a suspenseful journey of unraveling secrets and unforeseen consequences.
Bad Things Movie Review & Film Summary
In “Bad Things,” a cinematic creation by writer/director Stewart Thorndike, a captivating queer reinterpretation of Stanley Kubrick’s iconic “The Shining” comes to life. The film delves into the intriguing dynamics of human relationships and the echoes of past trauma. The central character, Ruthie (Gayle Rankin), finds herself as the heiress to the eerie Comely Suites, a snowy suburban hotel that holds both familial history and haunting memories.
The complex relationship Ruthie shares with her mother, coupled with her haunting connection to the hotel, forms a core theme. When Ruthie decides to bring her girlfriend Cal (Hari Nef) and close friends Maddie (Rad Pereira) and Fran (Annabelle Dexter-Jones) for a weekend escape, the hotel’s influence takes on an oppressive tone. Isolated within the snow-covered walls, the characters begin to experience the unsettling impact of the location.
As the narrative unfolds, the Comely Suites’ dark history intertwines with the characters’ vulnerabilities, leading to a crescendo of psychological tension. Ruthie’s fragile mental state, Fran’s neurotic tendencies, and the undercurrents of doubt, jealousy, and anger within the group contribute to a palpable sense of unease.
The friends become ensnared by the volatile forces that swirl around them, culminating in a riveting exploration of the human psyche under duress. Thorndike’s ingenious adaptation weaves together themes of trauma, interpersonal complexities, and the chilling allure of the supernatural, creating a thought-provoking cinematic experience that resonates long after the credits roll.
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